Dosya:Darren McGavin - 1950 photo.jpg
Bu önizlemenin boyutu: 503 × 600 piksel. Diğer çözünürlükler: 201 × 240 piksel | 536 × 639 piksel.
Tam çözünürlük ((536 × 639 piksel, dosya boyutu: 284 KB, MIME tipi: image/jpeg))
 | Bu dosya Wikimedia Commons'ta bulunmaktadır. Dosyanın açıklaması aşağıda gösterilmiştir. Commons, serbest/özgür telifli medya dosyalarının bulundurulduğu depodur. Siz de yardım edebilirsiniz. |
Özet
| Açıklama |
English: Stage photo of Darren McGavin as Happy Lohman in a production of Death of a Salesman |
| Tarih | |
| Kaynak |
eBay Front photo Back photo |
| Yazar | Eileen Darby |
Lisanslama
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This work is in the public domain in the United States because it was published in the United States between 1930 and 1977, inclusive, without a copyright notice. For further explanation, see Commons:Hirtle chart as well as a detailed definition of "publication" for public art.
|
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English: This is a publicity still taken and publicly distributed to promote the subject or a work relating to the subject.
- As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.):
"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary." - Nancy Wolff, in The Professional Photographer's Legal Handbook (Allworth Communications, 2007, p. 55.), notes:
"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." - Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes:
"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible." - Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that:
"[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."
Dosya geçmişi
Dosyanın herhangi bir zamandaki hâli için ilgili tarih/saat kısmına tıklayın.
| Tarih/Saat | Küçük resim | Boyutlar | Kullanıcı | Yorum | |
|---|---|---|---|---|---|
| güncel | 13.35, 9 Aralık 2018 | | 536 × 639 (284 KB) | Drown Soda | Removed watermark |
| 13.31, 9 Aralık 2018 |  | 804 × 1.000 (77 KB) | Drown Soda | Front | |
| 13.30, 9 Aralık 2018 |  | 804 × 1.000 (66 KB) | Drown Soda | User created page with UploadWizard |
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