Austin Osman Spare

Austin Osman Spare (30 Aralık 1886 - 15 Mayıs 1956), hem teknik ressam hem de ressam olarak çalışan İngiliz bir sanatçı ve okültistti.^[1] Sembolizm ve art nouveau'dan etkilenen sanatı, net çizgi kullanımıyla^[2] ve canavarca ve cinsel imgelerin tasviriyle biliniyordu.^[3] Okült bir kapasitede, bilinçli ve bilinçsiz benlik arasındaki ilişkiye dair teorilerine dayanarak otomatik yazma, otomatik çizim ve mühürleme gibi büyülü teknikler geliştirdi.

Sanat eğitimi: 1900–1905

Uygulamalı bir okültist olduktan sonra, Blavatsky'nin Dünya'nın zaten Cehennem olduğu fikrini kendi öncülü olarak aldığı ilk büyü kitabı Earth Inferno'yu (1905) yazdı ve resimledi. Eserde Teozofi, İncil, Ömer Hayyam, Dante'nin Cehennemi ve Zos ve Kia ile ilgili kendi mistik fikirleri de dahil olmak üzere çeşitli etkiler sergilendi.

Kaynakça

^ "The Art and Magic of Austin Osman Spare -". CVLT Nation (İngilizce). 12 Mayıs 2015. 17 Mayıs 2017 tarihinde kaynağından arşivlendi. Erişim tarihi: 28 Nisan 2017.
^ "In the verity of his visionary productions we find him of the company of Blake and Fuseli and their circle; but far superior to any of them in the mastery of representational craft." His comeditative magical art is a dynamic framework of Tantric energy—which is to say contains absolute, real, intrivalent and of cosmological transcendental—proportions. It is similar to the language amalgamations in the book of Abramelin. Haydn Mackey, commenting in a radio program broadcast shortly after Spare's death, and; "There now hang on one of my walls seven of his paintings, each so different in style and character that it is almost impossible to believe that the same hand was responsible for any two of them. And there rest on a table in my sitting-room overlooking Trafalgar Square three sketchbooks full of 'automatic drawings' unique in their mastery of line, unique, too, in their daring of conception." Hannen Swaffer, "The Mystery of an Artist" in London Mystery Magazine, Vol. 1, No. 5, Hulton Press, 1950
^ "On Austin Osman Spare" in Joseph Nechvatal, "Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality (1993–2006)" Edgewise Press. 2009, pp. 40-52

[1] "The Art and Magic of Austin Osman Spare -". CVLT Nation (İngilizce). 12 Mayıs 2015. 17 Mayıs 2017 tarihinde kaynağından arşivlendi. Erişim tarihi: 28 Nisan 2017.

[2] "In the verity of his visionary productions we find him of the company of Blake and Fuseli and their circle; but far superior to any of them in the mastery of representational craft." His comeditative magical art is a dynamic framework of Tantric energy—which is to say contains absolute, real, intrivalent and of cosmological transcendental—proportions. It is similar to the language amalgamations in the book of Abramelin. Haydn Mackey, commenting in a radio program broadcast shortly after Spare's death, and; "There now hang on one of my walls seven of his paintings, each so different in style and character that it is almost impossible to believe that the same hand was responsible for any two of them. And there rest on a table in my sitting-room overlooking Trafalgar Square three sketchbooks full of 'automatic drawings' unique in their mastery of line, unique, too, in their daring of conception." Hannen Swaffer, "The Mystery of an Artist" in London Mystery Magazine, Vol. 1, No. 5, Hulton Press, 1950

[3] "On Austin Osman Spare" in Joseph Nechvatal, "Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality (1993–2006)" Edgewise Press. 2009, pp. 40-52

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