Natya Şastra

Nāṭya Shāstra (Sanskrit: नाट्य शास्त्र , Nāṭyaśāstra ), sahne sanatları üzerine bir Sanskritçe incelemedir.^[1]^[2] Metin bilge Bharata'ya atfedilir ve ilk tam derlemesi M.Ö. 200 ile M.S. 200 yılları arasına tarihlenir,^[3]^[4] ancak tahminler M.Ö. 500 ile M.S. 500 arasında değişmektedir CE. ^[5]

Kaynakça

^ Katherine Young; Arvind Sharma (2004). Her Voice, Her Faith: Women Speak on World Religions. Westview Press. ss. 20–21. ISBN 978-0-8133-4666-3.
^ Guy L. Beck (2012). Sonic Liturgy: Ritual and Music in Hindu Tradition. University of South Carolina Press. ss. 138–139. ISBN 978-1-61117-108-2. Quote: "A summation of the signal importance of the Natyashastra for Hindu religion and culture has been provided by Susan Schwartz, "In short, the Natyashastra is an exhaustive encyclopedic dissertation of the arts, with an emphasis on performing arts as its central feature. It is also full of invocations to deities, acknowledging the divine origins of the arts and the central role of performance arts in achieving divine goals (…)".
^ Natalia Lidova 2014.
^ Tarla Mehta 1995.
^ Wallace Dace 1963.

Bibliygrafya

Ponangi Sri Rama Apparao (2001). Special aspects of Nāṭya śāstra. National School of Drama.
Biswanath Bhattacharya; Ramaranjan Mukherji (1994). Sanskrit Drama and Dramaturgy. Sharada. ISBN 978-81-85616-30-8.
GK Bhat (1981). Nāṭya-mañjarī-saurabha : Sanskrit dramatic theory (İngilizce ve Sanskrit). Bhandarkar Oriental Research Institute. OCLC 11717230.
Wallace Dace (1963). "The Concept of "Rasa" in Sanskrit Dramatic Theory". Educational Theatre Journal. 15 (3): 249–254. doi:10.2307/3204783. JSTOR 3204783.
Dalal, Roshen (2014). Hinduism: An Alphabetical Guide. Penguin Books. ISBN 978-81-8475-277-9.
Cris Forster (2010). Musical Mathematics: On the Art and Science of Acoustic Instruments. Chronicle. ISBN 978-0-8118-7407-6. Indian Music: Ancient Beginnings – Natyashastra
Gautam, Sanjay K. Foucault and the Kamasutra: The Courtesan, the Dandy, and the Birth of Ars Erotica as Theater in India (Chicago: University of Chicago Press, 2016).
Ghosh, Manomohan (2002). Natyashastra. Royal Asiatic Society. ISBN 81-7080-076-5.
Pandurang Vaman Kane (1971). History of Sanskrit Poetics. Motilal Banarsidass. ISBN 978-81-208-0274-2.
Sunil Kothari; Avinash Pasricha (2001). Kuchipudi. Abhinav Publications. ISBN 978-81-7017-359-5.
Natalia Lidova (2014). Natyashastra. Oxford University Press. doi:10.1093/obo/9780195399318-0071.
Natalia Lidova (1994). Drama and Ritual of Early Hinduism. Motilal Banarsidass. ISBN 978-81-208-1234-5.
Ananda Lal (2004). The Oxford Companion to Indian Theatre. Oxford University Press. ISBN 978-0-19-564446-3.
Trimbak Govind Mainkar (1978). Sanskrit Theory of Drama and Dramaturgy: The Theory of the Saṁdhis and the Saṁdhyaṅgas in Bharata's Naṭyaśāstra. Ajanta Publications. ISBN 9780836425642.
Tarla Mehta (1995). Sanskrit Play Production in Ancient India. Motilal Banarsidass. ISBN 978-81-208-1057-0.
Adya Rangacharya (1998). Introduction to Bharata's Nāṭyaśāstra. Munshiram Manoharlal Publishers. ISBN 978-81-215-0829-2.
Rowell, Lewis (2015). Music and Musical Thought in Early India. University of Chicago Press. ISBN 978-0-226-73034-9.
Sreenath Nair (2015). The Natyashastra and the Body in Performance: Essays on Indian Theories of Dance and Drama. McFarland. ISBN 978-1-4766-1221-8.
Emmie Te Nijenhuis (1974). Indian Music: History and Structure. BRILL Academic. ISBN 90-04-03978-3.
Farley P. Richmond; Darius L. Swann; Phillip B. Zarrilli (1993). Indian Theatre: Traditions of Performance. Motilal Banarsidass. ISBN 978-81-208-0981-9.
Radhavallabh Tripathi (1991). Lectures on the Nāṭyaśāstra. Centre of Advanced Study in Sanskrit, University of Poona. OCLC 26975430.
Tieken, Herman (1998). "Poetique du theatre Indien: Lectures du Natyashastra (Review)". Asian Folklore Studies. 56 (1).
Kapila Vatsyayan (2001). Bharata, the Nāṭyaśāstra. Sahitya Akademi. ISBN 978-81-260-1220-6.
Kapila Vatsyayan (1977). Classical Indian dance in literature and the arts. Sangeet Natak Akademi. OCLC 233639306. , Table of Contents
Kapila Vatsyayan (1974). Indian classical dance. Sangeet Natak Akademi. OCLC 2238067.
Kapila Vatsyayan (2008). Aesthetic theories and forms in Indian tradition. Munshiram Manoharlal. ISBN 978-8187586357. OCLC 286469807.
Kapila Vatsyayan. Dance In Indian Painting. Abhinav Publications. ISBN 978-81-7017-153-9.
Nina Mirnig; Peter-Daniel Szanto; Michael Williams (2013). Puspika: Tracing Ancient India Through Texts and Traditions: Contributions to Current Research in Indology Volume I. Oxbow. ISBN 978-1-78297-044-6.
Maurice Winternitz (2008). History of Indian Literature Vol 3 (Original in German published in 1922, translated into English by VS Sarma, 1981). New Delhi: Motilal Banarsidass. ISBN 978-8120800564.
Nātyakalpadrumam, Māni Mādhava Chākyār (1975), Sangeet Natak Academi, New Delhi
Dramatic Concepts: Greek and Indian, Bharat Gupt (2014), DK Printworld, Delhi

[katherineyoung20-1] Katherine Young; Arvind Sharma (2004). Her Voice, Her Faith: Women Speak on World Religions. Westview Press. ss. 20–21. ISBN 978-0-8133-4666-3.

[GuyBeckp138-2] Guy L. Beck (2012). Sonic Liturgy: Ritual and Music in Hindu Tradition. University of South Carolina Press. ss. 138–139. ISBN 978-1-61117-108-2. Quote: "A summation of the signal importance of the Natyashastra for Hindu religion and culture has been provided by Susan Schwartz, "In short, the Natyashastra is an exhaustive encyclopedic dissertation of the arts, with an emphasis on performing arts as its central feature. It is also full of invocations to deities, acknowledging the divine origins of the arts and the central role of performance arts in achieving divine goals (…)".

[FOOTNOTENatalia_Lidova2014-3] Natalia Lidova 2014.

[FOOTNOTETarla_Mehta1995-4] Tarla Mehta 1995.

[FOOTNOTEWallace_Dace1963-5] Wallace Dace 1963.

[1]

[2]

[3]

[4]

[5]